David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

Movie Reviews
1:34 pm
Fri March 7, 2014

'Grand Budapest Hotel': Kitsch, Cameos And A Gloriously Stylized Europe

Ralph Fiennes plays Gustave H., a hotel concierge given to bedding his elderly guests, in Wes Anderson's latest film.
Bob Yeoman Courtesy of Fox Searchlight Pictures

Originally published on Fri March 7, 2014 1:46 pm

Wes Anderson has his share of groupies and his somewhat smaller share of skeptics who find him a tad precious. As someone who leans toward the precious view, but is open to his grace notes, I found The Grand Budapest Hotel mostly delightful.

It's a madcap comedy, but with hints of tragedy lurking outside the usual Anderson dollhouse frames. The central character is Gustave H., played by Ralph Fiennes. He's the concierge of a kitschy, opulent, high-class European hotel between World Wars I and II.

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Movie Reviews
3:38 pm
Thu January 16, 2014

Jack Ryan Gets A Makeover, And A Quick Trip To Moscow

Chris Pine and Keira Knightley anchor Jack Ryan: Shadow Recruit, opposite Kevin Costner as a CIA veteran and Kenneth Branagh as the story's big bad.
Larry Horricks Paramount Pictures

Originally published on Fri January 17, 2014 12:05 pm

A franchise is what we used to call a Burger King or a Shell station, but nowadays the word appears more often in relation to movies: the Star Wars franchise, the Hunger Games franchise, the Jack Ryan franchise — or in the case of Jack Ryan: Shadow Recruit, the Jack Ryan franchise reboot. I don't know what's more depressing: that what fires up studio execs is the hunt for a new franchise or that critics have adopted this business lingo uncritically.

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Movie Reviews
11:32 pm
Thu December 19, 2013

A Man And His Machine, Finding Out What Love Is

In the sci-fi romance Her, a lonely man (Joaquin Phoenix) finds love in a rather unexpected place — with a computer operating system named Samantha.
Warner Bros.

Originally published on Fri December 20, 2013 12:24 pm

Her is the best film of the year by a so-wide margin. It's gorgeous, funny, deep — and I can hear some smart aleck say, "If you love it so much, why don't you marry it?" Let me tell you, I'd like to!

I certainly identify with the protagonist, Theodore Twombly, who falls in love with his computer operating system, his OS, which calls itself — sorry, I gotta say "who calls herself" — Samantha, and who sounds like a breathy young woman.

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Movie Reviews
9:41 pm
Wed July 18, 2012

As Class Warfare Brews, A 'Dark Knight Rises'

The Dark Knight Rises begins eight years after The Dark Knight, with Bruce Wayne (Christian Bale) living a reclusive life at his mansion alongside Alfred (Michael Caine). The movie is the finale of Christopher Nolan's Batman trilogy.
Ron Phillips Warner Bros. Pictures

Originally published on Fri July 20, 2012 8:54 am

The canvas is epic, the themes are profound, the execution is ... clunky. Welcome to Christopher Nolan's third and allegedly final Batman picture, The Dark Knight Rises — that so-called rising taking hours, by the way. No Batman film ever had less Batman.

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