Tagged: Blues Time Machine

Pages

12:00pm

Fri February 17, 2012
Blues Time Machine

'Back Door Man' - good blues is rarely about behaving yourself

Howlin' Wolf

Willie Dixon didn’t make his career writing songs about people who behaved themselves, and “Back Door Man” is no exception — it’s about a guy who cheats and then brags about it.

Songs like this were well suited to the larger-than-life Howlin’ Wolf, who was already a well-established, middle-aged bluesman when he recorded it in 1961.

Read more

12:42pm

Fri February 10, 2012
Blues Time Machine

'Walkin' Blues' still has legs

Legendary bluesman Son House

It’s one of the defining songs of the Blues, written by one of its formative figures, Son House. The opening lyric “Woke up this morning…” would be considered trite today, but its 1930 recording date makes it more iconic than anything.

With its simple but insistent guitar rhythm and mournful lyrics, “Walkin’ Blues” is a virtual blueprint for Delta Blues, and a powerful influence on the development of modern blues.

Read more

1:34pm

Fri February 3, 2012
Jazz & Blues

'Early in the Morning' - samba, rumba and history

Louis Jordan's music was a bridge between jazz and rock.

Louis Jordan is one of the pioneers of American music, and an important force in the transition from the Jazz Era to Rock and Roll. He was one of the first to down-size the big band format to a combo of five or six players, pounding out high energy jump, swing and rhythm and blues for dance audiences.

One of the early bands to use electric guitar, he established a musical style that rock originators like Bill Haley followed closely. Louis Jordan’s 1947 recording of “Early in the Morning” is an example of the influence of Afro Cuban rhythms on American music.

Read more

1:00pm

Fri January 27, 2012
Blues Time Machine

'Rock Island Line' evolved from the rhythm of hard labor

library of congess

Blues evolved from many different sources including spirituals, work songs, and chants. “Rock Island Line” began as a work song, first recorded in 1934 by prisoners at Cummins Farm in Arkansas. The rhythm of physical labor is integral to songs like these.

Read more

12:30pm

Fri January 20, 2012
Blues Time Machine

Still a mystery who wrote 'One Way Out'

It’s another one of those mysteries — who actually wrote “One Way Out”?

Elmore James recorded it in 1961, but didn’t release it until ’65. Sonny Boy Williamson released a version in 1961 and 1965 and G.L. Crockett had a 1965 hit with the same song under a different name.

Read more

8:47am

Fri January 20, 2012
Jazz & Blues

Etta James, 'Matriarch of the Blues,' has died

Originally published on Fri January 20, 2012 8:40 am

A posed studio portrait of Etta James taken in about 1961.
1 of 2 Images
Gilles Petard / Redferns

The "Matriarch of the Blues" has died. Music legend Etta James died Friday morning at Riverside Community Hospital in California of complications from leukemia. She was 73.

She was born Jamesetta Hawkins in Los Angeles in 1938. Her first manager and promoter cut up Jamesetta's name and reversed it: Etta James.

Her talent was discovered when she was 14 — the same age her mother was when James was born. Within three years, the foster-home runaway had her first hit, with the girl group The Peaches. Back then, "Roll With Me Henry" was deemed too racy for radio, "roll" being a sexual euphemism.

Read more

1:41pm

Fri January 13, 2012
Blues Time Machine

'Shake 'Em On Down' created the cutting edge for blues

Bukka White

Most blues started in the country before becoming urbanized, and Bukka White brought his brand of Mississippi blues to Chicago in the 1930’s and 40’s.

It is likely that he met and learned from elemental bluesman Charley Patton, and he was known for playing a National steel guitar with a slide. He recorded “Shake ‘Em On Down” in 1937 and established the cutting edge.

Read more

9:43am

Fri January 6, 2012
Blues Time Machine

Little Walter's 'Mellow Down Easy' rips through time

Little Walter

Little Walter made a harmonica sound like nothing that had been heard before – somewhere between a saxophone and an electric guitar. By the early 1950’s he not only used amplification, he used the amp to creatively alter his sound with distortion and sonic effects.

You might say he was the Jimi Hendrix of the harmonica. One song in particular has rolled through history: 'Mellow Down Easy.'

Read more

Pages

%s1 / %s2